Development
With the end of the Battle of France and the evacuation of the British Expeditionary Force from the port of Dunkirk between 26 May and 4 June 1940, a German invasion of Great Britain seemed likely. However, the British Army was not well-equipped to defend the country in such an event; in the weeks after the Dunkirk evacuation it could only field twenty-seven divisions. The Army was particularly short of anti-tank guns, 840 of which had been left behind in France, leaving only 167 available in Britain; ammunition was so scarce for the remaining guns that regulations forbade even a single round being used for training purposes.
Given these shortcomings, any modern weapons that were available were allocated to the British Army, and the Home Guard was forced to supplement the meagre amount of outdated weapons and ammunition they had with ad hoc weapons. One such weapon was the Northover Projector, the invention of Major Robert Harry Northover. Northover, an officer in the Home Guard, designed it to be an easily manufactured and cheap anti-tank weapon, costing just under £10 to produce, excluding the required tripod. The Major wrote directly to the Prime Minister, Winston Churchill, with his design and arranged for Churchill to attend a demonstration of the Northover Projector. The Prime Minister approved of the weapon and gave it his personal endorsement, ordering in October 1940 that the weapon be mass-produced on a scale of one for every Home Guard platoon.
Read more about this topic: Northover Projector
Famous quotes containing the word development:
“If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp.... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.”
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“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)