Reintroduction To Popular Culture
Antiquaries of the 19th century such as George Webbe Dasent brought the mythology of Scandinavia back to the popular notice of many people in Germany and England; in both cases, Norse mythology was recognized as the latest surviving form of Germanic paganism. Germany and England were Christianized far earlier than the Scandinavian countries and much of their own traditions were lost.
In Britain, William Morris composed poetry such as Sigurd the Volsung on Norse legendary subjects as well as translating Icelandic sagas into English. In Germany, Richard Wagner borrowed characters and themes from Norse mythology to compose the four operas that make up Der Ring des Nibelungen (The Ring of the Nibelung), though he also utilized medieval German sources and Germanized the names of the Norse gods.
Read more about this topic: Norse Mythology In Popular Culture
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“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
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