Television
Japanese anime series sometimes present their plot in nonlinear order. In The Melancholy of Haruhi Suzumiya, for example, the episodes were deliberately aired in non-chronological order. A more nonlinear example is Baccano!, where every scene is displayed in non-chronological order, with most scenes taking place at various times during the early 1930s and some scenes taking place before (extending back to the 18th century) and after (extending forward to the 21st century). Other examples include Yami to Bōshi to Hon no Tabibito, Touka Gettan, Rental Magica, Ergo Proxy, Fullmetal Alchemist, Axis Powers Hetalia, and (partly) Boogiepop Phantom.
The ABC television series Lost made extensive use of nonlinear story telling, with each episode typically featuring a primary storyline on the island as well as a secondary storyline from another point in a character's life, either past or future.
FX's Emmy Award winning legal drama Damages starring Glenn Close, begins each season with an intensely melodramatic event taking place and then traveling back six months earlier. Throughout the season, each episode shows events both in the past, present, and future that lead up to and follow said event.
The English sitcom Coupling would often utilize non-linear narratives in which groups of men and women would independently discuss an event, after which (or during) the event would be portrayed.
Read more about this topic: Nonlinear Narrative
Famous quotes containing the word television:
“History is not what you thought. It is what you can remember. All other history defeats itself.
In Beverly Hills ... they don’t throw their garbage away. They make it into television shows.
Idealism is the despot of thought, just as politics is the despot of will.”
—Mikhail Bakunin (1814–1876)
“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
—Salvador Dali (1904–1989)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)