Literature
Beginning a narrative in medias res (Latin: "into the middle of things") began in ancient times as an oral tradition and was established as a convention of epic poetry with Homer's Iliad in the 8th century BC. The technique of narrating most of the story in flashback also dates back to the Indian epic, the Mahabharata, around the 5th century BC. Several medieval Arabian Nights tales such as "Sinbad the Sailor", "The City of Brass" and "The Three Apples" also had nonlinear narratives employing the in medias res and flashback techniques.
From the late 19th century and early 20th century, modernist novelists Joseph Conrad, Virginia Woolf, Ford Madox Ford, Marcel Proust, and William Faulkner experimented with narrative chronology and abandoning linear order.
Examples of nonlinear novels are: Luís Vaz de Camões's The Lusiads, Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman (1759–67), Thomas Carlyle's Sartor Resartus (ca. 1833), Emily Brontë's Wuthering Heights (1847), James Joyce's Ulysses (1922) and Finnegans Wake (1939), Sadeq Hedayat's The Blind Owl (1937), William S. Burroughs' Naked Lunch (1959), Joseph Heller's Catch-22 (1961), Muriel Spark's The Prime of Miss Jean Brodie (1961), Kurt Vonnegut's Slaughterhouse-Five (1969), Milorad Pavić's Dictionary of the Khazars (1988), Irvine Welsh's Trainspotting (1993), Carole Maso's Ava: a novel (1993) and Tim O'Brien's Going After Cacciato (1979).
Scott McCloud argues in Understanding Comics that the narration of comics is nonlinear because it relies on the reader's choices and interactions.
Read more about this topic: Nonlinear Narrative
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