1970's Color and The Abstraction of Form
In the 1970’s Nonda’s forms evolved into abstraction and exploded into color. During this period he produced vibrant, modernist works on canvas and a series of wooden sculptures made from the hull of an abandoned fishing boat. The work is colorful but often dominated by a central, abstracted human form in brown or black which links it to his earlier and later work. A striking series made with the blood of spleen bought at the meat markets of Paris was produced in a painterly, free and gestural style. This series is a powerful simplification of all his styles combined. The repeating image of a figure with arms held high denotes a sense of joyousness or élan vital, just as the broad semi-circle linking two forms is often an abstracted “embrace”. The theme of the female form remains a constant and the paintings are often sculptural and relate to the shapes found in later sculptures.
Read more about this topic: Nonda
Famous quotes containing the words color, abstraction and/or form:
“He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co- ordinate grid system laid over it. The instructor could point to different parts of her and say, “Give me the co-ordinates.”... The Major could see every unit in the Army using his idea.... Hot dog!”
—Norman Mailer (b. 1923)
“Before abstraction everything is one, but one like chaos; after abstraction everything is united again, but this union is a free binding of autonomous, self-determined beings. Out of a mob a society has developed, chaos has been transformed into a manifold world.”
—Novalis [Friedrich Von Hardenberg] (1772–1801)
“Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.”
—Georg Wilhelm Friedrich Hegel (1770–1831)