1940's The Early Years
Nonda studied drawing and painting under Spiros Vikatos, who encouraged him in the classical tradition and praised his particular gift in portraiture. His first works were portraits of his family, bold nudes, as well as landscapes, seascapes. Many of these works survived the destruction of his atelier in Athens during the Second World War. While his temperament was clearly precocious, his early paintings were deeply influenced by his interest in El Greco, Ingres, Delacroix and Frans Hals among others, and showed a great respect for the masters. In 1947 he left Greece on a scholarship to the Ecole des Beaux-Arts in Paris where he studied in the ateliers Narbonne and Le Magny. Once in Paris, Nonda began to develop the image of the archetypal “ Femme Parisenne” (“Parisian Woman”) which was to remain a source of inspiration throughout his life’s work.
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Famous quotes containing the words early years, early and/or years:
“If there is a price to pay for the privilege of spending the early years of child rearing in the driver’s seat, it is our reluctance, our inability, to tolerate being demoted to the backseat. Spurred by our success in programming our children during the preschool years, we may find it difficult to forgo in later states the level of control that once afforded us so much satisfaction.”
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“At thirty years a woman asks her lover to give her back the esteem she has forfeited for his sake; she lives only for him, her thoughts are full of his future, he must have a great career, she bids him make it glorious; she can obey, entreat, command, humble herself, or rise in pride; times without number she brings comfort when a young girl can only make moan.”
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