Film and Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 1991 | Crooked Hearts | Ask | |
| 1992 | A Few Good Men | Cpl. Jeffrey Barnes | |
| 1993 | Swing Kids | Emil Lutz | |
| 1994–2005, 2006, 2009 | ER | Dr. John Carter | Series regular, 255 episodes |
| 1994 | There Goes My Baby | Michael Finnegan | |
| Guinevere | Lancelot | ||
| 1995 | Friends | Dr. Jeffrey Rosen | "The One With Two Parts: Part 2" (Season 1: Episode 17) |
| 1997 | The Myth of Fingerprints | Warren | |
| 1999 | Pirates of Silicon Valley | Steve Jobs | |
| 2000 | Fail Safe | Buck | |
| 2001 | Scenes of the Crime | Seth | |
| Donnie Darko | Dr. Kenneth Monnitoff | ||
| 2002 | White Oleander | Mark Richards | |
| Enough | Robbie | ||
| 2004 | The Librarian: Quest for the Spear | Flynn Carsen | Nominated - Saturn Award for Best Actor on Television |
| 2005 | The Californians | Gavin Ransom | |
| 2006 | The Librarian: Return to King Solomon's Mines | Flynn Carsen | Nominated - Saturn Award for Best Actor on Television |
| 2008 | W. | Donald Evans | |
| Nothing But the Truth | Avril Aaronson | ||
| The Librarian: Curse of the Judas Chalice | Flynn Carsen | Nominated - Saturn Award for Best Actor on Television | |
| 2009 | An American Affair | Mike Stafford | |
| 2010 | Queen of the Lot | Arron Lambert | |
| Below the Beltway | Hunter Patrick | ||
| 2011–present | Falling Skies | Tom Mason | Lead role Nominated - Saturn Award for Best Actor on Television |
Read more about this topic: Noah Wyle
Famous quotes containing the words film and/or television:
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)