Background and Production
Early in 1978, New York's Artists' Space hosting an underground rock festival with several local bands. The final two days of the show featured DNA and the Contortions on Friday, followed by Mars and Teenage Jesus and the Jerks on Saturday. English musician/producer Brian Eno, who'd originally came to New York to master the Talking Heads second album More Songs About Buildings and Food, was in the audience. Impressed by what he saw and heard, Eno was convinced that this movement should be documented and proposed the idea of a No Wave compilation album with himself as a producer.
When Eno recorded No New York, some of the sessions were done without much of the stylized production he was known for on other artists' albums. James Chance stated that the Contortions tracks were "done totally live in the studio, no separation between the instruments, no overdubs, just like a document." In 1979 Eno stated in his now famous lecture, "The Studio as Compositional Tool", that, "On 'Helen Thormdale' from the No New York album, I put an echo on the guitar part's click, and used that to trigger the compression on the whole track, so it sounds like helicopter blades."
Read more about this topic: No New York
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