Ningyou - Early History

Early History

There may be a continuity in the making of the Dogū, humanoid figures, by the ancient Jōmon culture in Japan (8000-200 BC) and in the Haniwa funerary figures of the subsequent Kofun culture (around 300-600 AD). Expert Alan Pate notes that temple records refer to the making of a grass doll to be blessed and thrown into the river at Ise Shrine in 3 BC; the custom was probably even more ancient, but it is at the root of the modern doll festival or Hinamatsuri.

In the early eleventh century, around the peak of the Heian period, several types of dolls had already been defined, as known from Lady Murasaki's novel The Tale of Genji. Girls played with dolls and doll houses; women made protective dolls for their children or grandchildren; dolls were used in religious ceremonies, taking on the sins of a person whom they had touched.

Okiagari-koboshi are roly-poly toys made from papier-mâché, dating back to at least the 14th-century. They are good-luck charms and symbols of perseverance and resilience.

Probably the first professional dollmakers were temple sculptors, who used their skill to make painted wooden images of children (Saga dolls). The possibilities of this art form, using carved wood or wood composition, a shining white "skin" lacquer called gofun made from ground oystershell and glue, and textiles, were vast.