History
In the early 1900s, a few notable photographers, Alfred Stieglitz and William Fraser, began working at night. The first photographers known to have produced large bodies of work at night were Brassai and Bill Brandt. In 1932, Brassai published Paris de Nuit, a book of black-and-white photographs of the streets of Paris at night. During World War II, British photographer Brandt took advantage of the black-out conditions to photograph the streets of London by moonlight.
Photography at night found several new practitioners in the 1970s, beginning with the black and white photographs that Richard Misrach made of desert flora (1975-77). Joel Meyerowitz made luminous large format color studies of Cape Cod at nightfall which were published in his influential book, Cape Light (1979). .Jan Staller’s twilight color photographs (1977-84) of abandoned and derelict parts of New York City captured uncanny visons of the urban landscape lit by the glare of sodium vapor street lights.
By the 1990s, British-born photographer Michael Kenna had established himself as the most commercially successful night photographer. His black-and-white landscapes were most often set between dusk and dawn in locations that included San Francisco, Japan, France, and England. Some of his most memorable projects depict the Ford Motor Company's Rouge River plant, the Ratcliffe-on-Soar Power Station in the East Midlands in England, and many of the Nazi concentration camps scattered across Germany, France, Belgium, Poland and Austria.
During the beginning of the 21st century, the popularity of digital cameras made it much easier for beginning photographers to understand the complexities of photographing at night. Today, there are hundreds of websites dedicated to night photography.
Read more about this topic: Night Photography
Famous quotes containing the word history:
“We don’t know when our name came into being or how some distant ancestor acquired it. We don’t understand our name at all, we don’t know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.”
—Milan Kundera (b. 1929)
“The history of the past is but one long struggle upward to equality.”
—Elizabeth Cady Stanton (1815–1902)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
—Terri Apter (20th century)