Theatre
After leaving EastEnders in December 2005, he starred as Sky Masterson in Guys and Dolls at the Piccadilly Theatre in the West End alongside Jenna Russell and Nigel Lindsay. He opened alongside Sarah Lancashire who left the production with illness on 4 January 2006. He left the show in March 2006. In April 2006, he played Kerry Max Cooke in The Exonerated at Riverside Studio Theatre in Hammersmith, London.
In October 2006, Harman appeared in the Harold Pinter play The Caretaker at the Crucible Theatre in Sheffield, starring alongside David Bradley and Con O'Neill. The production toured from February to April 2007. The tour venues were the Theatre Royal, Brighton, the Richmond Theatre and the Tricycle Theatre in Kilburn.
Harman starred as Sky Masterson again, joining the Guys and Dolls tour at the Alexandra Theatre, Birmingham in December 2006, and the Mayflower Theatre, Southampton in May 2007.
From May 2008 to July 2008 he appeared in The Common Pursuit at the Menier Chocolate Factory for a limited run.
From January to May 2009 he appeared in the play Three Days of Rain at the Apollo Theatre, London with actors Lyndsey Marshal and James McAvoy.
In November and December 2009 he appeared in Public Property by Sam Peter Jackson at the Trafalgar Studios.
During May and June 2010, Harman appeared in the stage production of True West at the Crucible Theatre, Sheffield.
From May 2011 to February 2012 he played Lord Farquaad in the West End production of Shrek the Musical, at the Theatre Royal, Drury Lane. For his performance, he won the Olivier Award for Best Supporting Performance in a Musical and Theatregoers' Choice Award for Best Supporting Actor in a Musical.
In July 2012 he played Sir Charles Surface in The School for Scandal at the Theatre Royal, Bath.
From September 2012 to January 2013 he will star alongside Rob Brydon and Ashley Jensen in Alan Ayckbourn's A Chorus of Disapproval at the Harold Pinter Theatre in the West End.
Read more about this topic: Nigel Harman
Famous quotes containing the word theatre:
“I think theatre should always be somewhat suspect.”
—Václav Havel (b. 1936)
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)