Development
In one storyline Nick begins a relationship with Julie Gibson (Naomi Watts). However when Julie's brother Revhead (Gavin Harrison) learns of their romance he is not happy. As Tom Etherington from TV Week reported, Revhead "didn't do anything by the book" and "his head nearly exploded" because Nick is a police officer. He "tried his best" to separate the pair but they end the relationship on their own terms. Etherington added that "it became obvious they were better suited to being just good friends".
After his relationship with Lucinda Croft (Dee Smart) ended, Nick fell for Roxanne Miller (Lisa Lackey). A writer for the TV Times commented "The soap's unlucky-in-love copper Nick appears to have fallen in a big way for Roxy". They added that Nick might be embarking on a new relationship too soon, while Roxy also believed Nick still loved Lucinda. Roxy was wary of getting involved with Nick and when his ex-girlfriend Sandy (Claudia Black) turned up in the Bay, she decided to put him to "a love test", which Nick passed. Of Nick and Roxy, Roberts said "On the outside, Nick looks as if he got his act together after Lucinda left him, but underneath he's vulnerable. He fancies Roxy, but doesn't want his heart broken again." Nick and Roxy eventually shared a "passionate kiss" signalling the beginning of their relationship.
Read more about this topic: Nick Parrish
Famous quotes containing the word development:
“Dissonance between family and school, therefore, is not only inevitable in a changing society; it also helps to make children more malleable and responsive to a changing world. By the same token, one could say that absolute homogeneity between family and school would reflect a static, authoritarian society and discourage creative, adaptive development in children.”
—Sara Lawrence Lightfoot (20th century)
“Information about child development enhances parents’ capacity to respond appropriately to their children. Informed parents are better equipped to problem-solve, more confident of their decisions, and more likely to respond sensitively to their children’s developmental needs.”
—L. P. Wandersman (20th century)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)