History
The building was designed by architect Thomas Cecil Howitt, who was also the architect for Baskerville House in Birmingham and the Council House in his native Nottingham. The ceremonial first sod was cut on July 14, 1937 by King George VI, with the building finally open to the public in 1940. However, due to the war, work on the clock tower was suspended until 1963. On September 10 of that year the Corporation voted to complete the building of the clock tower at a cost of £126,900. This was despite a poll of 8,734 signatures in which the public voted 40-to-1 against. Conservative Alderman Dolman said that he could use the £126,900 cost to buy gold watches for everyone living within sight of the clock.
The base of the completed clock tower contains a collection of 12 murals by the German artist Hans Feibusch. The murals were commissioned in the 1960s and completed in 1964. They depict the history of the City from Celtic times to the building of the George Street Bridge over the River Usk. In recent years, conservation work has been necessary with specialist photographers recording the works prior to detailed restoration work being undertaken.
Read more about this topic: Newport Civic Centre
Famous quotes containing the word history:
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)
“Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.”
—Conor Cruise O’Brien (b. 1917)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
—Terri Apter (20th century)