New Wave Music in Yugoslavia - Decline

Decline

As New Wave perished into the mid-1980s, some of the bands split or took different musical directions. The period around 1982 is considered especially crucial concerning the decline of New Wave in Yugoslavia. There were several other reasons why Yugoslav New Wave started to fade beside the notable general decline of New Wave around the world: the economical crisis in Yugoslavia in the first half of the 1980s (see: Economy of the Socialist Federal Republic of Yugoslavia) and the political instability, especially in the Socialist Autonomous Province of Kosovo in 1981 after Josip Broz Tito's death. Also, the musical genres such as post-punk, darkwave and gothic rock, as well as New Romantic and synthpop already saw a great expansion around the world, including Yugoslavia too.

Šarlo Akrobata changed from its initial ska and reggae-inspired period, embracing a deeper post-punk sound. They were also a support act of Gang of Four in Zagreb, before they finally split in 1981. Milan Mladenović, its notable vocalist and guitar player in 1982 formed the cult band Ekatarina Velika which was noted for its dark poetic post-punk style and intellectual attitude. In the same year, his bandmate Dušan Kojić "Koja" formed the group Disciplina kičme, a band influenced by a variety of music styles, which later rose to international prominence.

Idoli, Prljavo Kazalište and Film (the latter under the moniker Jura Stublić i Film) later became pop or pop rock and all of them respectively achieved great mainstream success. During the 1980s Azra gradually moved to more conventional rock with occasional use of folk rock elements. Johnny Štulić's poetic trademarks were still notable throughout their lyrics; Električni orgazam soon became a successful mainstream rock band inspired mostly by the 1960s including artists such as the Rolling Stones.

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