New Line Theatre in St. Louis, Missouri, is an alternative musical theatre company producing challenging, adult, politically and socially relevant works of musical theatre. The company was created in 1991 and produces world premieres like Love Kills, Johnny Appleweed, Woman with Pocketbook, She's Hideous, In the Blood, Attempting the Absurd, and The AmberKlavier; lesser known Broadway and off Broadway shows like High Fidelity, Passing Strange, bare, The Wild Party, Floyd Collins, A New Brain, March of the Falsettos, Passion, The Robber Bridegroom, The Nervous Set, and Bat Boy; abstract musicals like Hair, Jacques Brel is Alive and Well and Living in Paris, and Songs for a New World; absurdist musicals like Reefer Madness, Attempting the Absurd, The Cradle Will Rock, and Anyone Can Whistle; concept musicals like Company, Assassins, Urinetown, Chicago, Sunday in the Park with George, and Cabaret; and reinterpretations of more mainstream works, like Evita, Man of La Mancha, Camelot, Pippin, Sweeney Todd, Grease, and Into the Woods.
New Line claims to take philosophical and practical inspiration from theatre models of the 1960s, including Caffé Cino, Cafe LaMaMa ETC, Judson Poets Theatre, Joan Littlewood's People’s Theatre Workshop in London, and to a lesser extent from the Living Theatre, the Open Theatre, and various theatre collectives in the US and Europe.
Read more about New Line Theatre: Past Shows
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—Ralph Waldo Emerson (1803–1882)
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—Eleonora Duse (1858–1924)