Culture
New England has a shared heritage and culture primarily shaped by waves of immigration from Europe. In contrast to other American regions, many of New England's earliest Puritan settlers came from eastern England, contributing to New England's distinctive accents, foods, customs, and social structures. Within modern New England a cultural divide exists between urban New Englanders living along the densely-populated coastline, and rural New Englanders in western Massachusetts, northwestern and northeastern Connecticut, Vermont, New Hampshire, and Maine, where population density is low.
Today, New England is the least religious part of the U.S. In 2009, less than half of those polled in Maine, Massachusetts, New Hampshire, and Vermont claimed that religion was an important part of their daily lives. In Connecticut and Rhode Island, also among the ten least religious states, 55 and 53 percent, respectively, of those polled claimed that it was. According to the American Religious Identification Survey, 34 percent of Vermonters, a plurality, claimed to have no religion; on average, nearly one out of every four New Englanders identifies as having no religion, more than in any other part of the U.S. New England had one of the highest percentages of Catholics in the U.S. This number declined from 50% in 1990 to 36% in 2008.
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Famous quotes containing the word culture:
“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)