Nevil Shute - Works

Works

  • Marazan (1926) ISBN 1-84232-265-6
  • So Disdained (1928) (also published under the title The Mysterious Aviator) ISBN 1-84232-294-X
  • Lonely Road (1932) ISBN 1-84232-261-3
  • Ruined City (1938) (also published under the title Kindling) ISBN 1-84232-290-7
  • What Happened to the Corbetts (1939) (also published under the title Ordeal) ISBN 1-84232-302-4
  • An Old Captivity (1940) ISBN 1-84232-275-3
  • Landfall: A Channel Story (1940) ISBN 1-84232-258-3
  • Pied Piper (1942) ISBN 1-84232-278-8
  • Most Secret (1942 - published 1945) ISBN 1-84232-269-9
  • Pastoral (1944) ISBN 1-84232-277-X
  • Vinland the Good (1946) ISBN 1-889439-11-8
  • The Chequer Board (1947) ISBN 1-84232-248-6
  • No Highway (1948) ISBN 1-84232-273-7
  • A Town Like Alice (1950) (also published under the title The Legacy) ISBN 1-84232-300-8
  • Round the Bend (1951) ISBN 1-84232-289-3
  • The Far Country (1952) ISBN 1-84232-251-6
  • In the Wet (1953) ISBN 1-84232-254-0
  • Slide Rule: Autobiography of an Engineer (1954) ISBN 1-84232-291-5; (1964: Ballantine, New York)
  • Requiem for a Wren (1955) (also published under the title The Breaking Wave) ISBN 1-84232-286-9
  • Beyond the Black Stump (1956) ISBN 1-84232-246-X
  • On the Beach (1957) ISBN 1-84232-276-1
  • The Rainbow and the Rose (1958) ISBN 1-84232-283-4
  • Trustee from the Toolroom (1960) ISBN 1-84232-301-6
  • Stephen Morris and Pilotage (1961, written in 1923) ISBN 1-84232-297-4
  • The Seafarers (published in 2000) ISBN 1-889439-32-0

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Famous quotes containing the word works:

    “The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
    —Henry David Thoreau (1817–1862)

    “In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
    —Joseph De Maistre (1753–1821)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)