Never For Ever - Release and Impact

Release and Impact

The album became Bush's first record to reach the top position in the UK album charts, also making her the first female British solo artist to achieve that status. Technically, Never for Ever is the first studio album (i.e. - not a greatest hits compilation) by any solo female artist to reach no.1 in the UK as only Barbra Streisand and Connie Francis had achieved the feat prior to 1980 but with compilation albums (Diana Ross had also achieved three UK no.1 albums by then but these were also compilations and were credited to Diana Ross & The Supremes and were therefore not solo albums).

In Japan, the CD booklet cover art was modified, as EMI-Toshiba execs decided that the illustration of various animals emerging from beneath Bush's skirt was too risque, and chose to enlarge a section of the original cover art, creating two different booklet covers: the outer one modified; and underneath the original.

The album's cover was voted 'Greatest Album Cover of 1980' by Record Mirror.

Read more about this topic:  Never For Ever

Famous quotes containing the words release and, release and/or impact:

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    An inquiry about the attitude towards the release of so-called political prisoners. I should be very sorry to see the United States holding anyone in confinement on account of any opinion that that person might hold. It is a fundamental tenet of our institutions that people have a right to believe what they want to believe and hold such opinions as they want to hold without having to answer to anyone for their private opinion.
    Calvin Coolidge (1872–1933)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)