Early Cinema (1951-1980)
| Year | Film | Artist | Director | Producer | Music Composer | Lyricist |
|---|---|---|---|---|---|---|
| 1951 | Satya Harischandra | D.B. Pariyar | ||||
| 1964 | Aama | Shiva Shankar, Bhuvan Chand | Heera Singh Khatri | Information Dept. Govt of Nepal | ||
| 1966 | Maitighar | Mala Sinha, C.P. Lohani | B.S. Thapa | Sumonanjali Films Pvt. Ltd. | Jaidev | |
| 1967 | Hijo, Aaja, Bholi | Mitra Lal Sharma, Bhuvan Chand | Heera Singh Khatri | Information Dept. Govt of Nepal | ||
| 1971 | Parivartan (Change) | Heera Singh Khatri | Information Dept. Govt of Nepal | |||
| 1973 | Mann Ko Bandh | Salyan K.C., Sushma Shahi | Prakash Thapa | Royal Nepal Film Corporation | Nati Kaji - Shiva Shankar | |
| 1977 | Kumari | Biswa Basnet, Chaitya Devi | Prem Bahadur Basnet | Royal Nepal Film Corporation | ||
| 1978 | Paral Ko Aago | Tanka Sharma, Susmita Dhakal, Basundhara Bhusal (debut) | Pratap Subba | Cineroma | Shanti Thatal | |
| 1980 | Sindoor | Meenaxi Anand, Biswa Basnet, Neer Shah | Prakash Thapa | Royal Nepal Film Corporation | ||
| 1980 | Jeevan Rekha (Life Line) | Meenaxi Anand, Shiv Shrestha (Debut) | Prakash Thapa | Royal Nepal Film Corporation | Sachin Singh |
Read more about this topic: Nepalese Films Of 2004
Famous quotes containing the words early and/or cinema:
“... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.”
—George Eliot [Mary Ann (or Marian)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)