Early Cinema (1951-1980)
| Year | Film | Artist | Director | Producer | Music Composer | Lyricist |
|---|---|---|---|---|---|---|
| 1951 | Satya Harischandra | D.B. Pariyar | ||||
| 1964 | Aama | Shiva Shankar, Bhuvan Chand | Heera Singh Khatri | Information Dept. Govt of Nepal | ||
| 1966 | Maitighar | Mala Sinha, C.P. Lohani | B.S. Thapa | Sumonanjali Films Pvt. Ltd. | Jaidev | |
| 1967 | Hijo, Aaja, Bholi | Mitra Lal Sharma, Bhuvan Chand | Heera Singh Khatri | Information Dept. Govt of Nepal | ||
| 1971 | Parivartan (Change) | Heera Singh Khatri | Information Dept. Govt of Nepal | |||
| 1973 | Mann Ko Bandh | Salyan K.C., Sushma Shahi | Prakash Thapa | Royal Nepal Film Corporation | Nati Kaji - Shiva Shankar | |
| 1977 | Kumari | Biswa Basnet, Chaitya Devi | Prem Bahadur Basnet | Royal Nepal Film Corporation | ||
| 1978 | Paral Ko Aago | Tanka Sharma, Susmita Dhakal, Basundhara Bhusal (debut) | Pratap Subba | Cineroma | Shanti Thatal | |
| 1980 | Sindoor | Meenaxi Anand, Biswa Basnet, Neer Shah | Prakash Thapa | Royal Nepal Film Corporation | ||
| 1980 | Jeevan Rekha (Life Line) | Meenaxi Anand, Shiv Shrestha (Debut) | Prakash Thapa | Royal Nepal Film Corporation | Sachin Singh |
Read more about this topic: Nepalese Films Of 2004
Famous quotes containing the words early and/or cinema:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
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“Photography is truth. The cinema is truth twenty-four times per second.”
—Jean-Luc Godard (b. 1930)