Decorative Arts
In the decorative arts, Neo-Grec was based on the standard repertory of Greco-Roman ornament, combining motifs drawn from Greek vase-painting and repetitive architectural motifs like anthemions, palmettes, Greek key with elements from the Adam and Louis XVI styles of early Neoclassicism (c. 1765–1790), and of Napoleonic-era Egyptian revival decorative arts; it can be identified by the frequent use of isolated motifs of Classical heads and figures, masks, winged griffins, sea-serpents, urns, medallions, arabesques and lotus buds confined within panels, shaped reserves or multiple borders of anthemion, guilloche, and Greek fret pattern. Neo-Grec was eclectic, abstracted, polychromatic, and sometimes bizarre. Its treatment was intentionally dry and linear. Its vignettes and repeating patterns lent themselves to stencilling. Typical "Neo-Grec" color harmonies were rich and harsh: black motifs and outlines against "Pompeian" red, powder blue and puce, bistre and olive drab might be combined in a single decor.
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“Mildred Pierce: And just what do you do, Mr. Beragon?
Monte Beragon: I loaf. Oh, in a decorative and highly charming manner.
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