Nemesis (Philip Roth Novel) - Plot

Plot

Nemesis explores the effect of a 1944 polio epidemic on a closely knit, family-oriented Newark Jewish community of Weequahic neighborhood. The children are threatened with maiming, paralysis, lifelong disability, and death.

At the center of Nemesis is a vigorous, dutiful, 23-year-old teacher and playground director Bucky Cantor, a javelin thrower and weightlifter, who is devoted to his charges. Bucky feels guilty because his weak eyes have excluded him from serving in the war alongside his close friends and contemporaries. Focusing on Cantor's dilemmas as polio begins to ravage his playground, Roth examines some of the central themes of pestilence: fear, panic, anger, guilt, bewilderment, suffering, and pain. Cantor also faces a spiritual crisis, asking himself why God would allow innocent children to die of polio. Finally, Cantor faces a romantic crisis, becoming engaged to his beloved girlfriend (a fellow teacher who is working as a counselor at a Jewish summer camp). Fearing that Cantor will get polio if he remains in Newark during the summer, she implores him to quit his job in Newark and to join her at her polio-free summer camp. He wants to be with his fiancee, but leaving the children of Newark adds to his feelings of guilt.

With the inevitability of a Greek drama, polio eventually reaches the summer camp. One camper dies, several become ill, and Cantor himself is stricken. Cantor blames himself for having brought polio to the camp.

The novel ends in 1971, when Cantor encounters one of the Newark playground children who contracted polio and survived. They catch up on the events in their lives since 1944. Cantor reveals that, after being crippled by polio, he insisted that his fiancee leave him and find a non-crippled husband. He never marries. The novel is written as the narrative of the playground child, based on what Cantor told him in 1971.

Read more about this topic:  Nemesis (Philip Roth Novel)

Famous quotes containing the word plot:

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
    —E.M. (Edward Morgan)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
    Franz Grillparzer (1791–1872)