Goals of The Nazi Film Policy
Goebbels, who appointed himself "Patron of the German film", assumed, accurately, that a national cinema which was entertaining and put glamour on the government would be a more effective propaganda instrument than a national cinema in which the NSDAP and their policy would have been ubiquitous. The main goal of the Nazi film policy was to promote escapism, which was designed to distract the population and to keep everybody in good spirits; Goebbels indeed blamed defeat in World War I on the failure to sustain the morale of the people. The open propaganda was reserved for documentary films and newsreels. There are very few examples of German feature films from the Third Reich that deal with the NSDAP or with party organizations such as the Sturmabteilung, Hitler Youth or the National Labour Service. The propaganda films that refer directly to Nazi politics amounted to less than a sixth of the whole national film production, which mainly consisted of light entertainment films.
The authorities and NSDAP departments in charge of film policy were the film department of the Ministry of Propaganda, the Chamber of Culture (Reichskulturkammer), the Chamber of Film (Reichsfilmkammer), and the film department of the Party Propaganda Department (Reichspropagandaleitung).
A system of "award" was used to encourage self-censorship; awarded for such things as "cultural value" or "value to the people", they remitted part of the heavy taxes on films. Up to a third of the films in the Third Reich received such awards.
Read more about this topic: Nazism And Cinema
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