Nature (philosophy) - Classical Nature and Aristotelian Metaphysics

Classical Nature and Aristotelian Metaphysics

The Physics (from physis, Greek for "nature") is Aristotle's principal work on nature. In Physics II.1, Aristotle defines a nature as "a source or cause of being moved and of being at rest in that to which it belongs primarily". In other words, a nature is the principle within a natural raw material that is the source of tendencies to change or rest in a particular way unless stopped. For example a rock would fall unless stopped. Natural things stand in contrast to artifacts, which are formed by human artifice, not because of an innate tendency. (The raw materials of a bed have no tendency to become a bed.) In terms of Aristotle's theory of four causes, the word natural is applied both to the innate potential of matter cause and the forms which the matter tends to become naturally.

According to Leo Strauss, the beginning of Western philosophy involved the "discovery or invention of nature" and the "pre-philosophical equivalent of nature" was supplied by "such notions as 'custom' or 'ways'". In ancient Greek philosophy on the other hand, Nature or natures are ways that are "really universal" "in all times and places". What makes nature different is that it presupposes not only that not all customs and ways are equal, but also that one can "find one's bearings in the cosmos" "on the basis of inquiry" (not for example on the basis of traditions or religion). To put this "discovery or invention" into the traditional terminology, what is "by nature" is contrasted to what is "by convention". The concept of nature taken this far remains a strong tradition in modern western thinking. Science, according to Strauss' commentary of Western history is the contemplation of nature, while technology was or is an attempt to imitate it.

Going further, the philosophical concept of nature or natures as a special type of causation - for example that the way particular humans are is partly caused by something called "human nature" is an essential step towards Aristotle's teaching concerning causation, which became standard in all Western philosophy until the arrival of modern science.

Whether it was intended or not, Aristotle's inquiries into this subject were long felt to have resolved the discussion about nature in favor of one solution. In this account, there are four different types of cause:

• The material cause is the "raw material" - the matter which undergoes change. One of the causes of a statue being what it is might be that it is bronze. All meanings of the word nature encompass this simple meaning.
• The efficient cause is the motion of another thing, which makes a thing change, for example a chisel hitting a rock causes a chip to break off. This is the way which the matter is forming into a form so that it become substance like what Aristotle said that a substance must have a form and matter in order to call it substance. This is the motion of changing a single being into two. This is the most obvious way in which cause and effect works, as in the descriptions of modern science. But according to Aristotle, this does not yet explain that of which the motion is, and we must "apply ourselves to the question whether there is any other cause per se besides matter".
• The formal cause is the form or idea which serves as a template towards which things develop - for example following an approach based upon Aristotle we could say that a child develops in a way partly determined by a thing called "human nature". Here, nature is a cause.
• The final cause is the aim towards which something is directed. For example a human aims at something perceived to be good, as Aristotle says in the opening lines of the Nicomachean Ethics.

The formal and final cause are an essential part of Aristotle's "Metaphysics" - his attempt to go beyond nature and explain nature itself. In practice they imply a human-like consciousness involved in the causation of all things, even things which are not man-made. Nature itself is attributed with having aims.

The artificial, like the conventional therefore, is within this branch of Western thought, traditionally contrasted with the natural. Technology was contrasted with science, as mentioned above. And another essential aspect to this understanding of causation was the distinction between the accidental properties of a thing and the substance - another distinction which has lost favor in the modern era, after having long been widely accepted in medieval Europe.

To describe it another way, Aristotle treated organisms and other natural wholes as existing at a higher level than mere matter in motion. Aristotle's argument for formal and final causes is related to a doctrine about how it is possible that people know things: "If nothing exists apart from individual things, nothing will be intelligible; everything will be sensible, and there will be no knowledge of anything—unless it be maintained that sense-perception is knowledge". Those philosophers who disagree with this reasoning therefore also see knowledge differently than Aristotle.

Aristotle then, described nature or natures as follows, in a way quite differently to modern science...

"Nature" means:
(a) in one sense, the genesis of growing things — as would be suggested by pronouncing the υ of φύσις long—and
(b) in another, that immanent thing from which a growing thing first begins to grow.
(c) The source from which the primary motion in every natural object is induced in that object as such. All things are said to grow which gain increase through something else by contact and organic unity (or adhesion, as in the case of embryos). Organic unity differs from contact; for in the latter case there need be nothing except contact, but in both the things which form an organic unity there is some one and the same thing which produces, instead of mere contact, a unity which is organic, continuous and quantitative (but not qualitative). Again, "nature" means
(d) the primary stuff, shapeless and unchangeable from its own potency, of which any natural object consists or from which it is produced; e.g., bronze is called the "nature" of a statue and of bronze articles, and wood that of wooden ones, and similarly in all other cases. For each article consists of these "natures," the primary material persisting. It is in this sense that men call the elements of natural objects the "nature," some calling it fire, others earth or air or water, others something else similar, others some of these, and others all of them. Again in another sense "nature" means
(e) the substance of natural objects; as in the case of those who say that the "nature" is the primary composition of a thing, or as Empedocles says: Of nothing that exists is there nature, but only mixture and separation of what has been mixed; nature is but a name given to these by men. Hence as regards those things which exist or are produced by nature, although that from which they naturally are produced or exist is already present, we say that they have not their nature yet unless they have their form and shape. That which comprises both of these exists by nature; e.g. animals and their parts. And nature is both the primary matter (and this in two senses: either primary in relation to the thing, or primary in general; e.g., in bronze articles the primary matter in relation to those articles is bronze, but in general it is perhaps water—that is if all things which can be melted are water) and the form or essence, i.e. the end of the process, of generation. Indeed from this sense of "nature," by an extension of meaning, every essence in general is called "nature," because the nature of anything is a kind of essence. From what has been said, then, the primary and proper sense of "nature" is the essence of those things which contain in themselves as such a source of motion; for the matter is called "nature" because it is capable of receiving the nature, and the processes of generation and growth are called "nature" because they are motions derived from it. And nature in this sense is the source of motion in natural objects, which is somehow inherent in them, either potentially or actually.

— Metaphysics 1014b-1015a, translated by Hugh Tredennick, emphasis added.

It might be argued, as indeed it has been, that this type of theory represented an oversimplifying diversion from the debates within Classical philosophy, possibly even that Aristotle saw it as a simplification or summary of the debates himself. But in any case the theory of the four causes became a standard part of any advanced education in the Middle Ages.