Administration and Musical Performances in The 21st Century
At the beginning of the 21st century, the National Theatre has revived the "Manheim Tradition" with the inauguration of the International Orchestra Academy in Mannheim. Experts in the field of historic instruments and performance and musicians from the orchestra of the National Theatre will work with young musicians and music students. They will teach the special stylistic requirements of orchestral playing in the 18th century.
From September 2000, Ádám Fischer was General Music Director of National Theater Mannheim and he completed his term in July 2005 with a performance of Götterdämmerung. During his tenure, Fischer made the theatre one of the best interpreters of Mozart in Europe. He started two major projects in Mannheim, one the Mannheim Mozart Week, the other the Mannheim School, a summer seminar for young people from all over the world.
Highlighting works by Mozart, the National Theatre focused on his music and performed many of his works including unknown pieces composed for the Mannheim Orchestra. Overall, Fischer conducted two or three new productions each year including the Mannheim Ring cycle. The four productions were produced separately in 2000, then Fischer conducted 9 cycles over 5 years.
Fischer's successor, Frédéric Chaslin, took over in 2005.
Read more about this topic: National Theatre Mannheim
Famous quotes containing the words musical, performances and/or century:
“There was something refreshingly and wildly musical to my ears in the very name of the white man’s canoe, reminding me of Charlevoix and Canadian Voyageurs. The batteau is a sort of mongrel between the canoe and the boat, a fur-trader’s boat.”
—Henry David Thoreau (1817–1862)
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)
“Other centuries had their driving forces. What will ours have been when men look far back to it one day? Maybe it won’t be the American Century, after all. Or the Russian Century or the Atomic Century. Wouldn’t it be wonderful, Phil, if it turned out to be everybody’s century, when people all over the world—free people—found a way to live together? I’d like to be around to see some of that, even the beginning.”
—Moss Hart (1904–1961)