National Theatre Mannheim

The present National Theatre Mannheim (German: Nationaltheater Mannheim), which dates from 1957, is a theatre and opera company in Mannheim, Germany, with a variety of performance spaces. It is notable for being the oldest local theatre in Germany, having celebrated its 225th anniversary on 7 October 2004.

The idea of first building the original National Theatre developed after the suggestion of Elector Palatine Carl Theodor. The first theatre opened in 1779. In the past three hundred years, an important part of the history of German theatre and music history was written both in the original theatre and in Mannheim where new artistic styles were developed and refined in theatre, music and dance. Thus it reflects the tradition of many of the major names of the German arts such as Friedrich Schiller and Wolfgang Amadeus Mozart.

In terms of the history of the company, Friedrich Schiller's first major drama, The Robbers (Die Räuber) was given its inaugural performance in 1782 in presence of the playwright at the National Theatre. The response was overwhelming: "the theatre resembled a lunatic asylum, rolling eyes, clenched fists, ramming feet, hoarse proclamations in the auditorium! Strange humans fell onto each other locked together…."

Read more about National Theatre Mannheim:  Performance Venues, Theatre and Other Festivals, History Since 1900, Administration and Musical Performances in The 21st Century

Famous quotes containing the words national, theatre and/or mannheim:

    We love the indomitable bellicose patriotism that sets you apart; we love the national pride that guides your muscularly courageous race; we love the potent individualism that doesn’t prevent you from opening your arms to individualists of every land, whether libertarians or anarchists.
    Tommaso Marinetti (1876–1944)

    If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.
    Susan Sontag (b. 1933)

    We went to Mannheim and attended a shivaree—otherwise an opera—the one called “Lohengrin.” The banging and slamming and booming and crashing were something beyond belief. The racking and pitiless pain of it remains stored up in my memory alongside the memory of the time that I had my teeth fixed.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)