Founded in 1893, the National Sculpture Society was the first organization of professional sculptors formed in the United States. The purpose of the organization was to promote the welfare of American sculptors, although its founding members included several renowned architects. The founding members included such well known figures of the day as Daniel Chester French, Augustus St. Gaudens, Richard Morris Hunt, and Stanford White as well as sculptors less familiar today, such as Herbert Adams, Paul W. Bartlett, Karl Bitter, J. Massey Rhind, and John Quincy Adams Ward—who served as the first president for the society.
Since its founding in the nineteenth century, the National Sculpture Society (NSS) has remained dedicated to promoting figurative and realistic sculpture. Membership worldwide in 2006 was around 4,000 members, including sculptors, architects, art historians, and conservators. Its headquarters, library, and gallery are located on Park Avenue in Manhattan, just north of Grand Central Station. There is an entrance to the building from Lexington Avenue also.
The NSS publishes Sculpture Review on a quarterly basis, which is often referred to as the foremost figurative sculpture magazine in the world. In 2007, both the fiftieth anniversary of the magazine and the seventy-fifth annual exhibition of the society occur.
Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, and Leo Friedlander.
The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1895. She was followed a few years later by Enid Yandell, in 1899 and Abastenia St. Leger Eberle in 1906. In 1946 Richmond Barthé was likely the first African-American to be admitted.
In 1994 the NSS held their first exhibition outside of the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi in collaboration with Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg, Richard MacDonald and Elliott Offner.
Famous quotes containing the words national, sculpture and/or society:
“All experience teaches that, whenever there is a great national establishment, employing large numbers of officials, the public must be reconciled to support many incompetent men; for such is the favoritism and nepotism always prevailing in the purlieus of these establishments, that some incompetent persons are always admitted, to the exclusion of many of the worthy.”
—Herman Melville (1819–1891)
“I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.”
—Ralph Waldo Emerson (1803–1882)
“In the United States, it is now possible for a person eighteen years of age, female as well as male, to graduate from high school, college, or university without ever having cared for, or even held, a baby; without ever having comforted or assisted another human being who really needed help. . . . No society can long sustain itself unless its members have learned the sensitivities, motivations, and skills involved in assisting and caring for other human beings.”
—Urie Bronfenbrenner (b. 1917)