The Building
Won through an open international design competition by Johnson Pilton Walker in 2005, the 14,000m2 building provides exhibition space for approximately 500 portraits in a simple configuration of day-lit galleries.
The external form of the building responds to its site by using the building’s geometry to connect with key vistas and alignments around the precinct. A series of five bays, each more than 70 metres long, are arranged perpendicular to the Land Axis referring to Walter Burley Griffin’s early concepts for the National Capital.
Despite the apparent simplicity of the plan, the National Portrait Gallery is a rich sequence of carefully proportioned spaces leading from the Entrance Court defined by the two large cantilever concrete blades on the eastern side of the building through the foyer to the gallery spaces. Each gallery enjoys controlled natural light from translucent glazed clerestory windows and views to the outside, reconnecting the visitor to the landscape.
All aspects of the building are informed by the notion that the proportion of a building should correspond to that of a person. This is particularly relevant to a building for |portraiture]] and for the scale of the works in the collection.
Read more about this topic: National Portrait Gallery (Australia)
Famous quotes containing the word building:
“The artist must be an egotist because, like the spider, he draws all his building material from his own breast. But just the same the artist alone among men knows what true humility means. His reach forever exceeds his grasp. He can never be satisfied with his work. He knows when he has done well, but he knows he has never attained his dream. He knows he never can.”
—Rheta Childe Dorr (1866–1948)
“Our civilization is characterized by the word “progress.” Progress is its form rather than making progress being one of its features. Typically it constructs. It is occupied with building an ever more complicated structure. And even clarity is sought only as a means to this end, not as an end in itself. For me on the contrary clarity, perspicuity are valuable in themselves.”
—Ludwig Wittgenstein (1889–1951)