The Building
The National Museum was part of the "Murabba' Development Plan" to refurbish the area of and around the old Murabba' Palace district for the Centennial Celebrations in Saudi Arabia. Thus the deadline was set to early 1999, leaving only 26 months for the planning and building of the museum from scratch, although ideas for such a museum had been discussed since the eighties. For the design the lead architect Raymond Moriyama was inspired by the form and colors of the sand dunes of the "Red Sands" just outside Riyadh. The west facade along Murabba' Square resembles the soft contour of a sandune with its layout forming a crescent pointing towards Mecca. The west facade opens into a large lobby, that also opens to a smaller square in the east that separates the main bodies of the museum to the north and south, each arranged around a small internal courtyard. The northern wing is dedicated to the pre-Islamic galleries and connected by a bridge to the southern wing that hosts the galleries of the Islamic history of the Arabian Peninsula. For the final galleries the visitor enters the "Unification Drum" which has displays about the current Saudi State. The last gallery illustrates the two holy mosques and the hajj. Additionally there are two further galleries for special exhibitions.
The concept for the didactic design of the exhibitions is somewhat different to the traditional approach of the classic museums. There is less emphasis on individual exhibits displayed out of their cultural context as objects of great value. There are a great many replicas and life size dioramic displays, illustrating and educating about certain points and issues. As such it is sometimes difficult to identify certain specific pieces and even tell replicas from originals. The idea behind this is not to focus on individual pieces in their own right but rather use them as examples to highlight the general ideas or concepts they represent.
Read more about this topic: National Museum Of Saudi Arabia
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