Exhibits
The highlight of the museum is the 180-foot (55 m) hull of the CSS Jackson (also known as the CSS Muscogee), an ironclad ram put to fire in the Chattahoochee River by the Union troops of Gen. James H. Wilson and recovered from the bed of the river in the 1960s. Also on display are what's left of the CSS Chattahoochee and an intact rowboat from the USS Hartford. Two models of the warships USS Monitor and CSS Virginia (the former USS Merrimack), used in the Turner Broadcasting film Ironclads, and recreated full-scale sections of three other civil war-era warships are among the hundreds of Civil War artifacts located in the museum. There is also a battle experience theater that will put visitors right in the middle of a Civil War battle and an interactive Confederate ironclad ship simulator offering visitors an opportunity to experience 19th century naval combat first hand.
A large Civil War naval flag exhibit is the newest addition to the museum. According to executive director Bruce Smith, it is the largest display of navy related flags from the Civil War anywhere in the nation. Fourteen flags representing ships and forts from the entire scope of the Civil War are seen in this new exhibit, which is entitled “Ramparts to Topmast: Flags of Triumph and Despair.”
The museum also has the largest collection of surviving Brooke cannons made in Selma, Al. These four cannon are two 7-inch rifles, one 10-inch smoothbore, and one 11-inch smoothbore. The 11-inch smoothbore is the Largest surviving Brooke.
Read more about this topic: National Civil War Naval Museum At Port Columbus
Famous quotes containing the word exhibits:
“It exhibits the effort of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.”
—Henry James (1843–1916)
“Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?”
—Kate Field (1838–1908)
“Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.”
—Willard Van Orman Quine (b. 1908)