In Wrestling
- Finishing moves
- Bridging German suplex (NWA / FCW) — 2006–2008
- Nattie by Nature (Discus clothesline) — 2009–2010; used as a signature move thereafter
- Sharpshooter, sometimes while bridging — 2008–present
- Spinning powerbomb — 2007–2008
- Signature moves
- Pin-Up-Strong (Modified inverted surfboard into a double wrist lock)
- Headspring kip-up
- Michinoku driver II
- Multiple suplex variations
- Belly to back
- Delayed vertical
- Double underhook
- Snap
- Wheelbarrow
- Powerslam
- Rear naked choke
- Surfboard stretch
- Wrenching abdominal stretch
- With Beth Phoenix
- Aided corner clothesline
- Double delayed vertical suplex
- Double mat slam
- Double military press
- Double Russian legsweep
- Double wheelbarrow drop
- Wishbone
- Managers
- Victoria
- Rosa Mendes
- The Hart Dynasty (Tyson Kidd and David Hart Smith)
- Beth Phoenix
- Wrestlers managed
- Victoria
- The Hart Dynasty (Tyson Kidd and David Hart Smith)
- Kelly Kelly
- The Chickbusters (AJ and Kaitlyn)
- Beth Phoenix
- Nicknames
- "The Anvilette"
- "Nattie by Nature"
- "The Fiery Third-generation Diva"
- "The Queen of Harts"
- "The Dungeon Diva"
- Entrance themes
- "Cool Tweak" by Bryan New (April 25, 2008–June 6, 2008)
- "Yeah Baby" by Jim Johnston (July 20, 2008–May 5, 2009)
- "New Foundation" by Jim Johnston (May 12, 2009–present)
Read more about this topic: Natalya (wrestler)
Famous quotes containing the word wrestling:
“We laugh at him who steps out of his room at the very moment when the sun steps out, and says: I will the sun to rise; and at him who cannot stop the wheel, and says: I will it to roll; and at him who is taken down in a wrestling match, and says: I lie here, but I will that I lie here! And yet, all laughter aside, do we ever do anything other than one of these three things when we use the expression, I will?”
—Friedrich Nietzsche (18441900)
“There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.”
—Roland Barthes (19151980)