Personal Life
Nargis married actor Sunil Dutt (himself a Mohyal from Jhelum, British India). Reportedly, Dutt had saved her life from a fire accident on the sets of Mother India. The couple married on 11 March 1958 and had three children together: Sanjay, Namrata, and Priya. Sanjay Dutt went on to become a very successful film actor. Namrata married actor Kumar Gaurav, son of veteran actor Rajendra Kumar who had appeared alongside both Nargis and Sunil Dutt in Mother India. Priya became a politician, and since 2005 has been a Member of Parliament (Lok Sabha).
Along with her husband, Nargis formed the Ajanta Arts Cultural Troupe, which roped in several leading actors and singers of the time, and performed at remote frontiers to entertain the Indian soldiers; it was the first troupe to perform at Dhaka, after the Indo-Pakistani War of 1971 and the formation of Bangladesh. Later, Nargis worked for the cause of spastic children. She became the first patron of The Spastics Society of India. Her charitable work for the organisation got her recognition as a social worker.
Nargis worked with the actor Raj Kapoor in several films. She also did many films with R. K. Films - a production house of Raj Kapoor. It is said that the both in a romantic relationship. But after her marriage, she has never kept a close relationship with him till her death.
Read more about this topic: Nargis
Famous quotes containing the words personal and/or life:
“Children’s lives are not shaped solely by their families or immediate surroundings at large. That is why we must avoid the false dichotomy that says only government or only family is responsible. . . . Personal values and national policies must both play a role.”
—Hillary Rodham Clinton (20th century)
“Being so wrong about her makes me wonder now how often I am utterly wrong about myself. And how wrong she might have been about her mother, how wrong he might have been about his father, how much of family life is a vast web of misunderstandings, a tinted and touched-up family portrait, an accurate representation of fact that leaves out only the essential truth.”
—Anna Quindlen (b. 1952)