Stage
| Title | Playwright/Director | Date | Theater | Notes |
|---|---|---|---|---|
| Checkmate | Masuo Hasumi | April to May 31, 2005 | Umeda Kagetsu (Osaka) | |
| Shimurakon | Ken Shimura/La Salle Ishii | April 6 to 30, 2006 | Tokyo Metropolitan Art Space Cyunichi Theater (Nagoya) |
|
| Night Mess | Yuji Kobayashi/Kengo Kaji | November 21 to December 23, 2007 | 14 Livehouses in Niigata, Kōriyama, Ishinomaki, Sendai, Nagano, Nagoya, Kobe, Tokyo, Hamamatsu, Okayama, Osaka, Kumamoto, Fukuoka, Hiroshima | Role: Saki (leading role) |
| Blood Prisoner | Kengo Kaji | August 31 to September 5, 2010 | Ebisu Echo Theater (Tokyo) | Role: Miyabi Jinguji |
| Angel Heart | Tsukasa Hojo/Seiki Watanabe | Octorber 2, 2010 | Kichijōji Theatre (Tokyo) | With Yumi Sugimoto Role: Saeko Nogami |
| 15-0 Fifteen Love | Tetsuhiro Ikeda | June 1 to 19, 2011 | Ekimae Theater (Shimokitazawa, Tokyo) HEP HALL (Umeda, Osaka) |
With comedy conte unit "Hyogen Sawayaka" |
| Women's feeling | Tomoki Kanazawa/Nao Oikawa/Megumi Kuge | September 15 to 18, 2011 | Theater HOPE (Nakano, Tokyo) | Two Person Show with Megmi Kuge |
| HOLSTEIN KILLER NEVER DIE!! | Ken Arima | February 15 to 19, 2012 | The Pocket (Nakano, Tokyo) | With "Kaiketsu Pandars" Role: Ai Sasayaka |
| AI-NIKU | Scenario writers group "Dra-Kichi" | March 8 to 11, 2012 | SAMSA ASAGAYA (Tokyo) | Role: Fortune-teller Mitsumi |
| Royal Straight Flush | Tetsuhiro Ikeda | June 24 to July 8, 2012 | Honda Theater (Shimokitazawa, Tokyo) ABC HALL (Fukushima-ku, Osaka) |
With comedy conte unit "Hyogen Sawayaka" |
| Evil Women | Ayako Kitagawa, Makoto Ozeki | September 20 to 23, 2012 | RABINEST (Takadanobaba, Tokyo) | Two Person Show with Megmi Kuge |
| Tokyo Eccentric Explosion | Miyuki Torii, Hirohide Sumida | April 17 to 21, 2013 | Space Zero(Yoyogi, Tokyo) | LIBERUS Produce, Tokyo Guillotine Club |
Read more about this topic: Nao Oikawa
Famous quotes containing the word stage:
“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
—Raymond Chandler (1888–1959)
“Imperialism is capitalism at that stage of development at which the dominance of monopolies and finance capitalism is established; in which the export of capital has acquired pronounced importance; in which the division of the world among the international trusts has begun, in which the division of all territories of the globe among the biggest capitalist powers has been completed.”
—Vladimir Ilyich Lenin (1870–1924)
“Each action of the actor on the stage should be the visible concomitant of his thoughts.”
—Sarah Bernhardt (1845–1923)