Nameless Detective Novels
- The Snatch, Random House, (1971)
- The Vanished, Random House, (1973)
- Undercurrent, Random House, (1973)
- Blowback, Random House, (1977)
- Twospot, (With Collin Wilcox), Putnam, (1978)
- Labyrinth, St. Martin's, (1980)
- Hoodwink, St. Martin's, (1981)
- Scattershot, St. Martin's, (1982)
- Dragonfire, St. Martin's, (1982)
- Bindlestiff, St. Martin's, (1983)
- Casefile (short stories), St. Martin's, (1983)
- Quicksilver, St. Martin's, (1984)
- Nightshades, St. Martin's, (1984)
- Double (With Marcia Muller), St. Martin's, (1984)
- Bones, St. Martin's, (1985)
- Deadfall, St. Martin's, (1986)
- Shackles, St. Martin's, (1988)
- Jackpot, Delacorte, (1990)
- Breakdown, Delacorte, (1991)
- Quarry, Delacorte, (1992)
- Epitaphs, Delacorte, (1992)
- Demons, Delacorte, (1993)
- Hardcase, Delacorte, (1995)
- Spadework (short stories), Crippen & Landru, (1996)
- Sentinels, Carroll & Graf, (1996)
- Illusions, Carroll & Graf, (1997)
- Boobytrap, Carroll & Graf, (1998)
- Crazybone, Carroll & Graf, (2000)
- Bleeders, Carroll & Graf, (2002)
- Spook, Carroll & Graf, (2003)
- Scenarios (short stories), Forge Books, (2005)
- Nightcrawlers, Forge Books, (2005)
- Mourners, Forge Books, (2006)
- Savages, Forge Books, (2007)
- Fever, Forge Books, (2008)
- Schemers, Forge Books, (2009)
- Betrayers, Forge Books, (2010)
- Camouflage, Forge Books, (2011)
- Hellbox, Forge Books, (2012)
- Kinsmen, (novella), Cemetery Dance Publications, (2012)
- Femme, (novella), Cemetery Dance Publications, (2012)
- Nemesis, Forge Books, 2013
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Famous quotes containing the words nameless, detective and/or novels:
“So you, O nameless Duchess who die young,
Meet death somewhat lovingly
And I am filled with a pity of beholding skulls.
There was no pride like yours.”
—Allen Tate (18991979)
“In the towns I am tracked by phantoms having weird detective ways”
—Thomas Hardy (18401928)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)