Description
Namco Museum Remix is a part of the Namco Museum series of arcade compilations. In common with them, it includes a collection of classic arcade titles; however, these are ports, rather than being emulated, and are presented in the same style as in Namco Museum Battle Collection for the PlayStation Portable (see that article for details). Remix also adds five titular "Remix" versions, with updated graphics and gameplay, which differs from the originals, in some cases significantly (for example, in Galaga Remix, players not only have to protect themselves, but also protect Pac-Man as he rolls through space). The "Remix" games feature Miis, and each minigame is presented as an "attraction" in an amusement park—in fact, when released in Japan, the compilation was retitled "Minna de Asobou! Namco Carnival" (みんなで遊ぼう!ナムコカーニバル, lit. "Everybody Plays! Namco Carnival"?).
This collection marks the first appearances of the arcade versions of Super Pac-Man and Gaplus since Namco Museum Vol. 2 for the PlayStation, as well as the first ever U.S. Namco Museum appearances of Cutie Q (which appeared in the Japanese version of Namco Museum Vol. 2) and Pac & Pal (which was released in arcades in Japan only).
Galaga Remix on this compilation is not the same as the Galaga Remix iOS application.
Read more about this topic: Namco Museum Remix
Famous quotes containing the word description:
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)
“To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.”
—Oscar Wilde (1854–1900)
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)