Description
Namco Museum Remix is a part of the Namco Museum series of arcade compilations. In common with them, it includes a collection of classic arcade titles; however, these are ports, rather than being emulated, and are presented in the same style as in Namco Museum Battle Collection for the PlayStation Portable (see that article for details). Remix also adds five titular "Remix" versions, with updated graphics and gameplay, which differs from the originals, in some cases significantly (for example, in Galaga Remix, players not only have to protect themselves, but also protect Pac-Man as he rolls through space). The "Remix" games feature Miis, and each minigame is presented as an "attraction" in an amusement park—in fact, when released in Japan, the compilation was retitled "Minna de Asobou! Namco Carnival" (みんなで遊ぼう!ナムコカーニバル, lit. "Everybody Plays! Namco Carnival"?).
This collection marks the first appearances of the arcade versions of Super Pac-Man and Gaplus since Namco Museum Vol. 2 for the PlayStation, as well as the first ever U.S. Namco Museum appearances of Cutie Q (which appeared in the Japanese version of Namco Museum Vol. 2) and Pac & Pal (which was released in arcades in Japan only).
Galaga Remix on this compilation is not the same as the Galaga Remix iOS application.
Read more about this topic: Namco Museum Remix
Famous quotes containing the word description:
“Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.”
—Willard Van Orman Quine (b. 1908)
“He hath achieved a maid
That paragons description and wild fame;
One that excels the quirks of blazoning pens.”
—William Shakespeare (1564–1616)
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)