Music Video
The music video was filmed in Los Angeles, California in the Mack Sennett studios on January 9, 2007. The filming began at 7:00 AM and finished at 1:00 AM on the 10th, a total of 16 hours. Produced by Anke Thommen and directed by Mexican director Dago González. In the video, Paulina appears as a wedding bride dressed in pink and walks down a fashion runway. It is not the first time Paulina wears the wedding gown for a music video. Die-hard fans will remember Paulina dressed in white in the early 90's music video for "Él me engañó".
The music video, like the song itself, wouldn't have been complete without presence of the legendary former Guns N' Roses' guitarist, Slash himself. Paulina's record label, Universal Records, prepared a Behind The Scenes video for fans to watch before the video before its premiere and was made available for download from the singer's official fan club website, PAUPOWER.com. It was later released on the DVD included in the Deluxe Edition of Ananda.
The video was premiered on January 29, 2007 worldwide. Within a couple weeks' time, it quickly became number one in Spain's music television channels.
The Caribbean Nights Extended Club Mix and Edit also became number one on R & R's Latin Record Pool National Chart in the US. This chart reflects DJ club play in North America. The remix was produced by DJ and Remixer Alex Carmenates a.k.a. DJ Cubanito and Morpheous Van Susteren, who has also been responsible for remixing the number one Billboard club hits "Psicofonia" by Gloria Trevi, "1,2 Step" by Ciara feat. Missy Elliott, Lucas Prata's "And She Said", as well as numerous other dance hits.
Read more about this topic: Nada Puede Cambiarme
Famous quotes containing the words music and/or video:
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (1822–1893)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)