Scales
The material of a musical composition is usually taken from a collection of pitches known as a scale. Because most people cannot adequately determine absolute frequencies, the identity of a scale lies in the ratios of frequencies between its tones (known as intervals).
The diatonic scale appears in writing throughout history, consisting of seven tones in each octave. In just intonation the diatonic scale may be easily constructed using the three simplest intervals within the octave, the perfect fifth (3/2), perfect fourth (4/3), and the major third (5/4). As forms of the fifth and third are naturally present in the overtone series of harmonic resonators, this is a very simple process.
The following table shows the ratios between the frequencies of all the notes of the just major scale and the fixed frequency of the first note of the scale.
| C | D | E | F | G | A | B | C |
|---|---|---|---|---|---|---|---|
| 1 | 9/8 | 5/4 | 4/3 | 3/2 | 5/3 | 15/8 | 2 |
There are other scales available through just intonation, for example the minor scale. Scales which do not adhere to just intonation, and instead have their intervals adjusted to meet other needs are known as temperaments, of which equal temperament is the most used. Temperaments, though they obscure the acoustical purity of just intervals often have other desirable properties, such as a closed circle of fifths.
Read more about this topic: Musical Acoustics
Famous quotes containing the word scales:
“For these have governed in our lives,
And see how men have warred.
The Cross, the Crown, the Scales may all
As well have been the Sword.”
—Robert Frost (1874–1963)
“It cannot but affect our philosophy favorably to be reminded of these shoals of migratory fishes, of salmon, shad, alewives, marsh-bankers, and others, which penetrate up the innumerable rivers of our coast in the spring, even to the interior lakes, their scales gleaming in the sun; and again, of the fry which in still greater numbers wend their way downward to the sea.”
—Henry David Thoreau (1817–1862)
“As deaths have accumulated I have begun to think of life and death as a set of balance scales. When one is young, the scale is heavily tipped toward the living. With the first death, the first consciousness of death, the counter scale begins to fall. Death by death, the scales shift weight until what was unthinkable becomes merely a matter of gravity and the fall into death becomes an easy step.”
—Alison Hawthorne Deming (b. 1946)