Music of South Carolina

Music Of South Carolina

South Carolina is one of the Southern United States, and has produced a number of renowned performers of rock, blues, R&B, country, bluegrass and other styles. In 1766, Charlestown, South Carolina became the home of the St. Cecilia Society, the first musical society in North America. At the time, Charleston was a cultural center, attracting a number of musicians from Europe.

A few urban centers in South Carolina are home to thriving rock and roll and hip hop scenes, including Greenville, Clemson, Columbia, Myrtle Beach, and Charleston. Perhaps the best known rock band to hail from South Carolina was Hootie & the Blowfish, but other groups such as The Marshall Tucker Band, The Swinging Medallions, Maurice Williams and the Zodiacs and Crossfade also hail from the Palmetto State. Pinkney "Pink" Anderson along with Reverend Gary Davis were both from Laurens, S.C. Pink Anderson is best known for being one of the namesakes for the band Pink Floyd. Native musicians, singers, and other artists born and/or raised in the state include Arthur Smith, James Brown, Dizzy Gillespie, Chubby Checker, Eartha Kitt, Peabo Bryson, Nick Ashford, Teddy Pendergrass, Josh Turner, Bill Anderson, Edwin McCain, Duncan Sheik, Rob Thomas, and John Phillips. The state's bluegrass scene has produced such bands as The Hired Hands.

Read more about Music Of South Carolina:  Official Music, Music Institutions and Venues, Musicians and Bands From South Carolina

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    Morning work! By the blushes of Aurora and the music of Memnon, what should be man’s morning work in this world?
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    I don’t have any doubts that there will be a place for progressive white people in this country in the future. I think the paranoia common among white people is very unfounded. I have always organized my life so that I could focus on political work. That’s all I want to do, and that’s all that makes me happy.
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    Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.
    Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)