Music of New Zealand - Classical Composers

Classical Composers

The formal traditions of European classical music took a long time to develop in New Zealand, due to its geographical isolation. Composers such as Alfred Hill were educated in Europe and brought late Romantic Music traditions to New Zealand. He attempted to graft them on to New Zealand themes with one notable success, the popular "Waiata Poi". However, before 1960 New Zealand did not have a distinct classical style of its own, having "a tendency to over-criticize home-produced goods".

Douglas Lilburn, working predominantly in the third quarter of the 20th century, is often credited with being the first composer to 'speak' with a truly New Zealand voice and gain international recognition for it. Lilburn's Second Piano Sonatina was described as "a work which seems to draw on the best of Lilburn's past...specially suited to New Zealand." He also pioneered electronic music. Lilburn and other composers working during the late 1950s and 60s, including Edwin Carr, developed a new direction in New Zealand music that was distinctly separate from its influences.

With significant acceleration New Zealanders have found their own style and place, with people such as Larry Pruden, David Griffiths, John Cousins, David Farquhar, Jenny McLeod, Jack Body, Gillian Whitehead, Dorothy Buchanan, Anthony Ritchie, Ivan Zagni, Martin Lodge, Nigel Keay and Ross Harris leading the way.

Diverse musical currents in the world from the European avant-garde to American minimalism have influenced particular New Zealand composers to varying degrees. Increasingly, there are more cross-over composers fusing Pacific, Asian and European influences along with electronic instruments and techniques into a new sound, Gareth Farr, Philip Dadson and composer co-operative Plan9 among them. The latter provided much of the ambient music used in The Lord of the Rings film trilogy.

In 2004, Wellington composer John Psathas achieved the largest audience for New Zealand-composed music when his fanfares and other music were heard by billions at the opening and closing ceremonies of the Athens 2004 Summer Olympics. In the same year, he took the Tui Award for Best Classical Recording at the Vodafone NZ Music Awards and the SOUNZ Contemporary Award at the APRA Silver Scrolls.

There are several twelve-month Composer-in-Residence positions available in New Zealand, notably with the Auckland Philharmonia Orchestra and at the University of Otago (Mozart Fellowship).

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