The Music Box Theatre is a Broadway theatre located at 239 West 45th Street (George Abbott Way) in midtown-Manhattan.
The once most aptly named theatre on Broadway, the intimate Music Box was designed by architect C. Howard Crane and constructed by composer Irving Berlin and producer Sam H. Harris specifically to house Berlin's famed Music Box Revues. It opened in 1921 and hosted a new musical production every year until 1925, when it presented its first play, Cradle Snatchers, starring Humphrey Bogart. The following year, Chicago, the Maurine Dallas Watkins play that served as the basis for the hit musical, opened here. It housed a string of hits for the playwriting team of George S. Kaufman and Moss Hart, from their first collaboration Once in a Lifetime to their hit play The Man Who Came to Dinner. Cole Porter and George and Ira Gershwin also presented shows here.
In the 1950s, playwright William Inge found a home at the Music Box, where he had success with Picnic, Bus Stop, and The Dark at the Top of the Stairs.
One of the smaller Broadway houses, with a seating capacity of 860, the theater was co-owned by Berlin's estate and the Shubert Organization until the latter assumed full ownership in 2007. Its box seats are notable for being unusually large and round, and Dame Edna lovingly described them as "ashtrays" during her successful run there. The lobby features a plaque and wall exhibit commemorating its rich history.
The Brown Theatre in Louisville, Kentucky is modeled after the Music Box Theatre.
Read more about Music Box Theatre: Other Notable Productions
Famous quotes containing the words music, box and/or theatre:
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)
“It all ended with the circuslike whump of a monstrous box on the ear with which I knocked down the traitress who rolled up in a ball where she had collapsed, her eyes glistening at me through her spread fingers—all in all quite flattered, I think. Automatically, I searched for something to throw at her, saw the china sugar bowl I had given her for Easter, took the thing under my arm and went out, slamming the door.”
—Vladimir Nabokov (1899–1977)
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)