Murder Music: A History of Black Metal is a heavy metal music documentary aired on British pay-per-view channel Rockworld TV. Murder Music centers around the controversial black metal subgenre. It was written by renowned metal journalist Malcolm Dome and hosted by Rockworld TV's and Contraband Candy's René Ackermann, who was also the documentary's associate producer.
The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK heavy metal group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr.
Musicians from some key contemporary bands in the scene are interviewed, such as Satyricon, Immortal, Mayhem, Dimmu Borgir and Cradle of Filth. Some non-musicians are interviewed as well, including Terrorizer magazine editor Jonathan Selzer and Didrik Søderlind, co-author of the Lords of Chaos book.
Read more about Murder Music: A History Of Black Metal: Background, Plot Summary
Famous quotes containing the words murder, history, black and/or metal:
“As I sat before the fire on my fir-twig seat, without walls above or around me, I remembered how far on every hand that wilderness stretched, before you came to cleared or cultivated fields, and wondered if any bear or moose was watching the light of my fire; for Nature looked sternly upon me on account of the murder of the moose.”
—Henry David Thoreau (1817–1862)
“No cause is left but the most ancient of all, the one, in fact, that from the beginning of our history has determined the very existence of politics, the cause of freedom versus tyranny.”
—Hannah Arendt (1906–1975)
“It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.”
—Gerald Early (20th century)
“There were metal detectors on the staff-room doors and Hernandez usually had a drawer full of push-daggers, nunchuks, stun-guns, knucks, boot-knives, and whatever else the detectors had picked up. Like Friday morning at a South Miami high school.”
—William Gibson (b. 1948)