Literature
Perhaps the most basic way the word dimension is used in literature is as a hyperbolic synonym for feature, attribute, aspect, or magnitude. Frequently the hyperbole is quite literal as in he's so 2-dimensional, meaning that one can see at a glance what he is. This contrasts with 3-dimensional objects, which have an interior that is hidden from view, and a back that can only be seen with further examination.
Science fiction texts often mention the concept of dimension, when really referring to parallel universes, alternate universes, or other planes of existence. This usage is derived from the idea that to travel to parallel/alternate universes/planes of existence one must travel in a direction/dimension besides the standard ones. In effect, the other universes/planes are just a small distance away from our own, but the distance is in a fourth (or higher) spatial (or non-spatial) dimension, not the standard ones.
One of the most heralded science fiction novellas regarding true geometric dimensionality, and often recommended as a starting point for those just starting to investigate such matters, is the 1884 novel Flatland by Edwin A. Abbott. Isaac Asimov, in his foreword to the Signet Classics 1984 edition, described Flatland as "The best introduction one can find into the manner of perceiving dimensions."
The idea of other dimensions was incorporated into many early science fiction stories, appearing prominently, for example, in Miles J. Breuer's The Appendix and the Spectacles (1928) and Murray Leinster's The Fifth-Dimension Catapult (1931); and appeared irregularly in science fiction by the 1940s. Classic stories involving other dimensions include Robert A. Heinlein's —And He Built a Crooked House (1941), in which a California architect designs a house based on a three-dimensional projection of a tesseract, and Alan E. Nourse's Tiger by the Tail and The Universe Between (both 1951). Another reference is Madeleine L'Engle's novel A Wrinkle In Time (1962), which uses the 5th dimension as a way for "tesseracting the universe" or in a better sense, "folding" space to move across it quickly. The fourth and fifth dimensions were also a key component of the book The Boy Who Reversed Himself, by William Sleator.
Read more about this topic: Multidimensional
Famous quotes containing the word literature:
“The contemporary thing in art and literature is the thing which doesn’t make enough difference to the people of that generation so that they can accept it or reject it.”
—Gertrude Stein (1874–1946)
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)
“Poe gives the sense for the first time in America, that literature is serious, not a matter of courtesy but of truth.”
—William Carlos Williams (1883–1963)