Video
The song's video, directed by Brian Gibson, depicts Jonathan Chance (played by guitarist Tommy Shaw) walking in Rock Museum to meet Kilroy and a robot approaches. After this, it morphs into five robots moving and dancing. Shortly thereafter, the robots transform into the members of Styx and including a clean-shaven Dennis DeYoung (he shaved his trademark moustache off at the conclusion of the Paradise Theater tour in 1982 and has remained clean-shaven to this day). The video then alternates between the band playing the song on a stage and scenes from the Kilroy Was Here backdrop film. Then, the members of Styx morph back into the robots and DeYoung confronts the robots, screaming in the ear of one of the robots before collapsing. DeYoung awakens to see he is being experimented on and runs off. The video cuts back to the ending of the first scene and Jonathan Chance climbs on to the stage. Before the robot reveals his mask to be Kilroy, another shot of the robot with lights on was used to end the clip.
Read more about this topic: Mr. Roboto
Famous quotes containing the word video:
“I recently learned something quite interesting about video games. Many young people have developed incredible hand, eye, and brain coordination in playing these games. The air force believes these kids will be our outstanding pilots should they fly our jets.”
—Ronald Reagan (b. 1911)
“These people figured video was the Lord’s preferred means of communicating, the screen itself a kind of perpetually burning bush. “He’s in the de-tails,” Sublett had said once. “You gotta watch for Him close.””
—William Gibson (b. 1948)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)