Mozart Symphonies

Mozart Symphonies

This is a list of symphonies by the classical composer Wolfgang Amadeus Mozart. Symphonies No. 2 (attributed to Leopold Mozart) and 3 (written by Carl Friedrich Abel) are spurious. Spurious symphonies can be found at Mozart symphonies of spurious or doubtful authenticity. Symphonies that are suspected to be not Mozart's, but have not been proven to be the work of another composer, are in this list. Mozart's "37th symphony" is actually Michael Haydn's 25th symphony; Mozart only added a 20-bar slow introduction to it.

The symphonies K. 66c, 66d and 66e are lost, and have not been proven to be Mozart's work: they have not been included in the list below.

The symphony numbers "7a" and those in the range 42 to 56 are sometimes used for symphonic works that were not numbered in the 1-41 sequence. They have been included for completeness, although they are out of chronological sequence. In addition, some authentic symphonies were never given numbers. The symphonies in the 1-41 chronological sequence have been listed first; the symphonies that were given the numbers 42-56 are listed next; and lastly are listed the remaining symphonies. The symphonies given numbers past 41 (but not No. 7a) are sometimes listed with "GA" preceding the number, because these numbers were from the Alte Mozart-Ausgabe, the full name of which was the "Wolfgang Amadeus Mozarts Werke: Kritisch durchgesehene Gesamtausgabe".

Links to scores of each symphony have been included. All the symphonies in this table except Nos. 2, 3 and 37 (which are spurious) have links to scores in the Neue Mozart-Ausgabe; the spurious symphonies Nos. 2, 3 and 37 have links to scores at the International Music Score Library Project.

Read more about Mozart Symphonies:  The Symphonies

Famous quotes containing the word mozart:

    Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.
    Henri-Frédéric Amiel (1821–1881)