The Mozartian Concept of The Piano Concerto
In the works of his mature series, Mozart created a unique conception of the piano concerto that attempted to solve the ongoing problem of how thematic material is dealt with by the orchestra and piano, and with the exception of the two exceptionally fine early concertos KV. 271 (Jeunehomme) and KV. 414 (the "little A major") all of his best examples are from later works. He strives to maintain a mean between a symphony with occasional piano solos and a virtuoso piano fantasia with orchestral accompaniment; twin traps that later composers were not always able to avoid. His resulting solutions are varied (none of the mature series is really similar to any of the others structurally, apart from at a broad level) and complex.
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