Mother and Child Reunion (Degrassi: The Next Generation) - Reception

Reception

"When teens tune in, they're more likely to see actors who resemble their lab partner than the Holmes, Jacksons, and Van Der Beeks that people Dawson's Creek. They're going to see much more real kids. Remember the first season of Dawson's Creek? Where they were all saying, 'I may be 15', but in fact they were 18, 19, 20? But our kids are within a couple years of the characters they're playing. Degrassi is more of a reflection of what it's like to be a teen than Dawson's Creek, which have their place and everything, but you know, the kids on Dawson's Creek speak like they're PhD students compared to what normal kids speak."

— Yan Moore (co-creator/creative consultant), 2001.

"Mother and Child Reunion" received mixed reviews from the media. Stephanie McGrath of Canoe.ca's AllPop acknowledged Miriam McDonald's portrayal of Emma Nelson as "stellar acting abilities in a super creepy storyline ... high on tension, low on cheese top-notch", and continued, "The young actors actually showed up their classic Degrassi counter-parts in the pilot episode. Their acting was solid, believable and age-appropriate, while some of the older crowd's dialogue sounded a bit stilted and over-rehearsed. Slightly wooden acting aside, it was still good to see Joey, Caitlin and the gang together again. Emma's story-line demonstrates that the creative forces behind The Next Generation haven't lost touch with teens yet, showing that one instalment of Degrassi: The Next Generation is worth 20 episodes of Dawson's Creek."

Tony Atherton of the Ottawa Citizen had mixed feelings of the new incarnation, saying it "has a cleaner, more polished look, has lost its edge nothing new to viewers familiar with the groundbreaking preceding series, nor to anyone else who has watched the deluge of teen dramas since", adding that because there is "little ground left to break in teen drama there is a sense of déjà vu with regards to the plots and characters". He did, however, praise the show for having "the same simple narrative told from a kid's viewpoint, and the same regard for unvarnished reality . It is light years from far-fetched high-school melodramas like Boston Public and Dawson's Creek ... is every bit as good as its beloved predecessor. In fact, in some respects it is even better".

When the series began in the U.S., The Seattle Times' Melanie McFarland was unsure whether its success and popularity in Canada would continue across the border. "As popular as Degrassi was, it was still a mere cult hit in the United States; the crowd that had access to it initially on PBS might not be able to tune into . Soft-pedaling through the issues might work for today's family of viewers, but what's gentle enough for Mom and Dad's peace of mind might not be enough to hook Junior or the original Degrassi's older fans". She was, however, "happy The N chose Degrassi students to navigate teen perils instead of digging up Screech and the gang characters from Saved by the Bell, a popular children's sitcom from the early 1990s for another nauseating go-round".

"Mother and Child Reunion" was nominated for two Directors Guild of Canada Awards, winning in the "Outstanding Achievement in a Television Series – Children's" category, and picked up two Gemini Award nominations in the categories for "Best Photography in a Dramatic Program or Series" and "Best Short Dramatic Program".

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