Mortification (band) - Reception and Legacy

Reception and Legacy

Mortification was described by Australian rock music historian, Ian McFarlane in his Encyclopedia of Australian Rock and Pop in 1999: "During the early 1990s, Mortification became internationally known as Australia's foremost Christian-inspired death metal band. Christian death metal: surely a contradiction in terms; but only for the uninitiated. Mortification successfully infused the down-tuned, sledgehammer riffs and gruff vocal style usually associated with the death/thrash metal genre with positive and spiritually uplifting lyric themes."

Records released after Steve Rowe's leukemia have received poor reviews from critics, though they kept selling well. A critic wrote that "The weakest link of current Mortification are the lyrics. They are just somewhat naive and cheesy. On the old albums sinners screamed in pain in the fiery pits of hell, Satan was slaughtered; the rhetorics fit the spirit of the brutal music better. Apparently the fatherhood and going through the disease has calmed Rowe down too much, although on the early records the previous members Jayson Sherlock and Mick Carlisle wrote a lot of the lyrics." The different singing style Rowe did for many years after Post Momentary Affliction was another target for criticism, being called "poor screaming".

According to Australian writers Gary Garson and Peter Schultz, Mortification is the world's most successful Christian extreme metal band. Their first three albums are respected efforts of death metal. Blood World was a commercial hit and EnVision EvAngelene gained some respect for its music. During the tour for Blood World they played with Napalm Death, Sick of It All and Entombed for audiences consisting of thousands of people, and sold more merchandise than the other bands in the venues. Several Mortification tribute albums have been released by Christian metal bands that have been influenced by Mortification.

In Raised by Wolves, author John J. Thompson pointed out that upon forming Mortification, Rowe "suddently had one of the most credible Christian death metal bands in the world on his hands." Thompson defined Mortification as "one of the heaviest bands ever to hit the Christian scene" and described its albums as "a blatantly evangelistic work of shredding death metal."

Discussing the social aspects of the extreme metal scene, author Keith Kahn-Harris wrote that overt Christian bands like Mortification are often "strongly criticized if their commitment to music is perceived to be subordinate to their commitment to politics." Kahn-Harris observed that "with a very few exceptions, overt Christian bands tend to be confined to their own, largely autonomous scenes." But he acknowledges that "music and scene can never be detached from flows of power and capital and hence a non-political scene is an impossibility. The scene is enmeshed in relations of power and capital, despite its relative autonomy as a field."