Morris & Co. - Important Commissions

Important Commissions

Two significant secular commissions helped establish the firm's reputation in the late 1860s: a royal project at St. James's Palace and the "green dining room" at the South Kensington Museum (now the Victoria and Albert) of 1867. The green dining room (preserved as the Morris Room at the V&A) featured stained glass windows and panel figures by Burne-Jones, panels with branches of fruit or flowers by Morris, and olive branches and a frieze by Philip Webb. The St. James's commission comprised decorative schemes for the Armoury and the Tapestry Room, and included panels of stylized floral patterns painted on ceilings, cornices, dados, windows, and doors.

In 1871 Morris & Co. were responsible for the windows at All Saints church in the village of Wilden near to Stourport-on-Severn. They were designed by Edward Burne-Jones for Alfred Baldwin, his wife's brother-in-law.

Standen near East Grinstead, West Sussex was designed between 1892 and 1894 by Philip Webb for a prosperous London solicitor, James Beale, his wife Margaret, and their family. It is decorated with Morris carpets, fabrics and wallpapers.

Stanmore Hall was the last major decorating commission executed by Morris & Co. before Morris's death in 1896. It was also the most extensive commission undertaken by the firm, and included a series of tapestries based on the story of the Holy Grail for the dining room, to which Morris devoted his energies, the rest of the work being executed under the direction of Dearle.

Other Morris & Co. commissions include the ceiling within the dining room of Charleville Forest Castle, Ireland, interiors of Bullers Wood House, now Bullers Wood School in Chislehurst, Kent and stained glass windows at Adcote.