History
In the beginning, Monument was the first of London Records distributed labels. Monument Records' first release in October 1958, was also the label's first hit. Billy Grammer's "Gotta Travel On", became a U.S. Top 5 Billboard record chart success which sold over 900,000 copies. It also spawned a nation-wide dance craze called "The Shag". The signing of the former Sun Records singer, Roy Orbison, brought more success to Monument Records, beginning with the 1960 release, "Only the Lonely". By 1961, London Records was distributing more than forty independent companies, prompting Foster to move Monument to the independent-distributor network. In 1971, Foster signed a world-wide distribution agreement with CBS Records.
In addition to Orbison, Monument became home to a number of others including: Robert Knight, Kris Kristofferson, Jeannie Seely, Boots Randolph, Dolly Parton, Ray Stevens, Cindy Walker, Tony Joe White, Charlie McCoy, Willie Nelson, Tommy Roe, The Velvets, Connie Smith, Larry Jon Wilson, Larry Gatlin and Robert Mitchum.
Foster started a soul and R&B label Sound Stage 7 in 1963. Artists on Sound Stage 7 included Joe Simon, The Dixie Belles, Arthur Alexander, and Ivory Joe Hunter. Another Monument sublabel was Rising Sons Records.
Foster invested heavily in a banking venture in the 1980s, and sustained disastrous financial losses as a result. It was this that led to the forced sale of Monument and its publishing counterpart, Combine Music Group, in 1990. CBS Records acquired the Monument catalog, and its successor company Sony Music reactivated the label in 1997 as a country label. Some successful artists signed to Monument during this era were Little Big Town and Dixie Chicks. Monument Records catalog is managed by Sony Music's Legacy Recordings unit.
Read more about this topic: Monument Records
Famous quotes containing the word history:
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“Considered in its entirety, psychoanalysis won’t do. It’s an end product, moreover, like a dinosaur or a zeppelin; no better theory can ever be erected on its ruins, which will remain for ever one of the saddest and strangest of all landmarks in the history of twentieth-century thought.”
—Peter B. Medawar (1915–1987)
“The principle office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.”
—Tacitus (c. 55–117)