Works
He was a prolific writer in both Persian and Arabic, with a bibliography of more than a hundred and twenty titles. One of his famous work is Mohjat-al-Beyza which is entirely rewritten of the Ihya' ulum al-din (Revival of Religious Sciences), the great work by al-Ghazali, from the Shia point of view. Another of his great works, 'Ayn al-yaqin, The Certitude of the Eye-witness, is a personal synthesis which complements his great commentary on the Quran.
His other works are Abwab-ol-Jenan (the doors of the Paradise), the comment of Safi ,the comment of Asfi, Wafi (on exposition of Usul Kafi), Shafi, (the thing which cures), Mafati'h (The keys), Asrar-o-ssalat (the secrets of the prayers), Elm-ol yaghin (certain knowledge) on the principles of the religion, The exposition on astronomy, Safina-to-nejat (the ship of relief), the exposition on the Al-Sahifa al-Sajjadiyya, Tarjomat-ol salat (the translation of prayer)(in Persian), The translation of Taharat (the purification mentally and physically), Translations of the ideas, The "list of the sciences" and Divan of poems. There are some 13000 lines of poems in his works. He was one of the first to present the revolutionary idea that Islamic prayer does not necessarily have to be in Arabic.
A thorough bibliographic study has shown that Fayz wrote 122 works for a total on over 550,000 lines; of these, about forty have been published. He wrote some 20,000 verses of Persian poetry, mostly in Sufi style, and thirty Persian prose works.
Read more about this topic: Mohsen Fayz Kashani
Famous quotes containing the word works:
“Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
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“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
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