Modern History of East Asian Martial Arts

Modern History Of East Asian Martial Arts

East Asia, the region dominated by Chinese, Japanese and Korean culture, was greatly transformed following its contact with the West in the 19th century. This defining period can be considered as the start of the modern period of East Asian history, and also happens to be the time of origin of most schools of martial arts of East Asian origin practiced today. New approaches and ideas about martial arts were created that were distinct and different from previous history of martial arts, especially under the influence of nascent nationalism in the region, which took the respective traditions of martial arts as being part of the nation's heritage to be polished into a pure form and showcased.

As a result, the modern martial arts of China and Japan are for the most part a product of the nationalist governments in power during the 1920s and 1930s, in the case of Korea developed under Japanese occupation and cast in terms of a Korean national art during the 1950s. The modern history of Indochinese martial arts is closely related, and especially modern Muay Thai was developed in the years leading up to and following the Siamese revolution of 1932.

In many countries local arts like Te in Okinawa, Kenjutsu and Ju-Jutsu in Japan, and Taekyon and Soobak in Korea mixed with other martial arts and evolved to produce some of the more well-known martial arts in the late nineteenth and twentieth centuries like Karate, Aikido, and Taekwondo.

Read more about Modern History Of East Asian Martial Arts:  China, Japan, Korea, Southeast Asia, Western Interest, See Also

Famous quotes containing the words modern, history, east, asian, martial and/or arts:

    “The near explains the far. The drop is a small ocean. A man is related to all nature. This perception of the worth of the vulgar is fruitful in discoveries. Goethe, in this very thing the most modern of the moderns, has shown us, as none ever did, the genius of the ancients.”
    —Ralph Waldo Emerson (1803–1882)

    “Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
    —Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)

    “It is the business of thought to define things, to find the boundaries; thought, indeed, is a ceaseless process of definition. It is the business of Art to give things shape. Anyone who takes no delight in the firm outline of an object, or in its essential character, has no artistic sense.... He cannot even be nourished by Art. Like Ephraim, he feeds upon the East wind, which has no boundaries.”
    —Vance Palmer (1885–1959)

    “We are not about to send American boys 9 or 10,000 miles away from home to do what Asian boys ought to be doing for themselves.”
    —Lyndon Baines Johnson (1908–1973)

    “As yet her conduct has been great both as a free and as a martial nation. We hope it will continue so, and finally baffle all her enemies, who are in fact the enemies of human nature.”
    —James Madison (1751–1836)

    “What ails it, intrinsically, is a dearth of intellectual audacity and of aesthetic passion. Running through it, and characterizing the work of almost every man and woman producing it, there is an unescapable suggestion of the old Puritan suspicion of the fine arts as such—of the doctrine that they offer fit asylum for good citizens only when some ulterior and superior purpose is carried into them.”
    —H.L. (Henry Lewis)